Matt Whittington - The Theatre and Orchestral angle
Time Line
02.17 - How Matt got into electronics
11.20 - Matt's Wind In The Willows setup
17.39 - How Matt uses triggers on the show
26.45 - The West End, electronics and the silent pit
31.50 - Why shows don't use the latest gear
37.27 - Click tracks and when they go wrong
43.35 - The one thing you need to know...
47.10 - The biggest problem with electronic drums
56.07 - Latency
58.12 - Why orchestral musicians are more flexible
1.02.56 - Why backing tracks don't help drummers
Matt's set up for Wind In The Willows